Alvaro Catalán de Ocón and Francesco Faccin are a couple of designers and friends who met each other while studying Industrial Design in Milan and they have shared an analogous career for many years; they have exhibited their work on many occasions; they have shared travels and experiences nourishing their friendship, but also a common vision and approach to the profession of the Industrial Designer.
“During a visit in Marrakesh in 2014 we run across in a workshop of cement tiles; we’ve been fascinated by the manufacturing process and by the strong visual expressiveness of this product so common in our houses”.
The cement tile was born in the Mediterranean Europe at the beginning of the 20th century as the industrialized evolution of the old mosaic or marble aggregate floor. Nowadays, because of the high manual commitment and because of the high costs of the labour in Europe, its production has basically moved to Morocco.
The Riad table is an enhancement of the traditional manufacturing process and graphic motifs of hydraulic tiles. These concrete tiles emerged in Mediterranean Europe in the early 20th century as an industrial response to old mosaic floors. The drawings of Riad are inspired by traditional designs that can be found from the Alhambra of Granada to the Great Mosque of Damascus.
The idea behind this product is to de-contextualise a construction material –the hydraulic tile– by isolating and objectifying it.
A great part of the design process lies in resolving what is not visible to the naked eye. Therefore, it has been necessary to research more technical materials to lighten, reinforce and resize the product, as well as to intervene in its traditional manufacturing process in order to accurately place a metallic piece which works as a node to reinforce the object and, at the same time, to position the legs in perfect geometry.
The result is a table for indoors and outdoors whose hexagonal shape offers the possibility to reproduce a “raised floor” combining as many pieces as desired.